My first boxes was organic, with the soft shape I came close to the metals plasticity, but the shape was to much Georg Jensen and Henning Koppel, It was necessary to brake the style, the box in silver from 1980 is important for my . This box is an reaction against the grotesque worship of function that was characteristic of Danish design. There can be storage something in it - but the shape is the important part. All my boxes is unique, it happens that I repeat a shape, but there is always modification.
Box silver 1978   Box silver 1980
Copper and silver came in as stripes and circles, it have always been my interest for shape that have inspire me. Not the worlds need for boxes. I have recognize that the silversmith isn't there to create practical objects, he is there to preserve the curiosity and settel exampels in metal.
Box 1982 Box silver copper 1982 Box silver copper 1984
Box silver 1991. The Box is a sphere and it rocks, it's very nice with movement in the silver Box 1991, silver and copper
 
Ring and box, silver and gold 1987 .Six boxes, "cirkel" silver and gold 1993
Movement have always interestet me, with the box "brise" I try to keep a movement in the metal. In the years to come I swing between the strictness and systematic expression, and a more spontaneous work process. It has been important to work with both shapes and this "collaboration" have brought me to the place, where I am today. It is a place with a big artistic freedom.
"Breeze", silver copper 1985   "Target" 1998
"Mailboxes" 1998 silver and copper   "Epidemic" 1998
Box for stamps 2000. It happens that objects will come where the function is obvious .